ECONOMIC SUPPORT FOR SPECIAL LICENCE B.
Friday, December 17, 2010
Quotes For 3rd Birthday
ECONOMIC SUPPORT FOR SPECIAL LICENCE B.
Thursday, December 2, 2010
Chipcard Reader/writer
Sto seguendo NasaTv ...
Se ho capito bene, nel Mono Lake in California hanno scoperto un batterio, che pur essendo basato sul dna come noi, ha sostituito un componente base per la vita come la conosciamo ... pardon, come la conoscevamo ...... il fosforo, con un altro molto abbondante nel suo ambiente: l'arsenico.
A quanto pare la Vita non ha un solo modo di esprimersi, e, forse, in posti che a noi sembrano "invivibili" la vita si e' comunque sviluppata basandosi su elementi chimici diversi dai nostri!
Sunday, November 28, 2010
Best Brand Of Depilatory Cream For Pubic Region
Thursday, November 18, 2010
How To Do A Sew In With Side Bangs
CONTRIBUTO REGIONALE PER LE GIOVANI COPPIE
- giovani coppie (entrambi i componenti non devono aver compito 40 years' age at the date of application)
- pregnant sun
- single parent with one or more dependent children
- families with three children.
- indicator ISE standard not exceeding € 35,000.00 =
- value of the property purchased, or DIY 's renovating old buildings not exceeding € 280,000.00 and not less than € = = 25000.00 including VAT
- mortgage or financing required for the purchase, DIY or recovery of the property, of not less than five years' maximum amount of € 280,000.00 = and not less than € 25,000.00.
- possession of a residence permit (or residence card) at least two years
- the course of legal employment or self-employed by at least one of the members of the family.
Applications will be submitted to the CAAF agreement with the Lombardy Region (Green Company) in collaboration with Avid Varese Onlus, from 1st December 2010 to January 31, 2011 (from a family member of the owner or co-holder of 'property and the loan / financing) and completed by July 10, 2011 , otherwise deprived of his right.
The free service is supported by the volunteer with the simple offering. For more information please contact us at 0332-1692543, or our volunteer branches throughout the towns of the Province
Monday, November 8, 2010
How To Get Pokemon From Cydia
Monday, November 1, 2010
Bang Bros Apartment Miami Beach

in Itinere
- richiesta del Danno biologico.
- richiesta di invalidita’ civile con visite, certificazione e
assistenza in
Commissione ASL, del Medico Legale in convenzione
- richieste pensionistiche in genere e previdenziali
- assistenza disabili acquisto auto, per la scontistica and
percentage agreed with the automakers.
- assistance on VAT rates, road tax exemption, exemption
IPT.
- free tax assistance for the disabled through the CAF.
- PIT recovery car purchase.
- cost recovery changes to the car INAIL, the ASL and
Regional Law 23.
- iscrizione per la visita presso l’ufficio provinciale patenti
disabili.
- modifiche auto con officine autorizzate.
- conseguimento e riclassificazione patenti B Speciali con
macchina multiadattata senza costi di noleggio
- prove ed esame di guida con auto adattata modificabile
per qualsiasi patologia.
- autoscuole specializzate con costi calmierati, con
macchina multiadattata AVID, per l’autoscuola per
disabili e invalidi

Homemade Indian Costume College
Oggi Lunedì 01/11/2010 Nasce il primo Blog per l'associazione AVID Varese. Per la realizzazione ho utilizzato la piattaforma Blogger "gratuita", per sperimentare questo nuovo modo di comunicare con gli utenti in contatto con la nostra associazione. Spero che il lavoro abbia seguito e che possa servire al nostro volontariato. Grazie dal vostro collaboratore Roberto
Friday, October 22, 2010
How To Make Phiten Necklaces Shorter
docente:
PIERANGELO GELMINI
Orchestra Sinfonica del Lario
Al termine dei corsi verrà rilasciato un diploma di frequenza.
ARTICOLAZIONE DEI CORSI
Sono attivati two courses with different content in relation to the interests and needs of participants:
1. Technical course
2. Professional Course
1. Technical course
addressing the fundamental technical knowledge and gestures aimed at the direction of instrumental and vocal groups diversified will be developed further issues related to the study and preparation of scores and analyzed the different testing strategies. The course is divided into 10 lessons every two weeks, from January 16, 2011.
2. Professional Course
Aimed at those who already have knowledge of the analysis music and orchestration, intend to investigate further the conducting direction and towards a profile of educational improvement, also the preparation for competitions and the opening of a professional activity. Will be dealt with scores of even complex symphonic repertoire.
The detailed program will be provided to participants upon registration and can be integrated in relation to interest or personal needs, with particular emphasis on biennalizzazione triennalizzazione or the course.
Classes are divided into two monthly meetings, which will be held from January 16, 2011, for a total of 10 lessons. In four of these meetings will be the orchestra for exercises.
The best students will be selected for inclusion in the concert series of the Symphony Orchestra of the lake.
FINAL CONCERT
The best students of professional courses will have the opportunity to direct a public concert with the Orchestra Sinfonica del Lario. On that occasion the students will be awarded the degrees of frequency.
ELIGIBILITY
The technique course, as an introduction to conducting, is open to all and does not require possession of special qualifications.
For professional courses, providing a maximum number of actual students, will riferimento all'ordine di presentazione delle domande d'iscrizione; si svolgerà inoltre un colloquio preliminare che servirà a valutare il grado di preparazione musicale (studi precedenti, titoli di studio, esperienze ecc.).
È’ consentita la partecipazione ai corsi anche in qualità di uditori.
Pierangelo Gelmini
Ha compiuto gli studi musicali al Conservatorio di Milano, affiancando alle discipline strumentali la composizione e la direzione d'orchestra. Ha quindi proseguito gli studi di direzione a Stoccarda, Ginevra e Berlino, perfezionandosi con Arpad Gerecz, Janos Fürst e Juri Simonov. E' vincitore dei concorsi internazionali di direzione d'orchestra "Johannes Brahms Dirigentenwettbewerb (Mürzzuschlag, 1989), "Competition ORT Orchestra of Tuscany (Florence 1990)," Prokofiev Competition 1993 "(St. Petersburg).
After his operatic debut with Bizet's Carmen in Milan in 1992 he was assistant to Peter Maag at the Teatro Comunale in Treviso, where he worked in the production of The Turkish Italy and Lucia di Lammermoor and directed several symphonic concerts. He attended a course on lead vocal by Joan Sutherland and Regina Resnik. It becomes then an assistant to Richard Bonynge.
guest of major orchestras regional Italian and European orchestras (& Gächinger Kantorei Bach Collegium Stuttgart, New Irish Chamber Orchestra, Steirisches Symphonie Orchester, Solisten des Festspielhauses Bayreuth, Craiova Philharmonic Orchestra, Orchestra of the Conservatory of Lugano, Bacau Philharmonic Orchestra, Berliner Symphoniker, Mediterranean Symphony Orchestra, St. Petersburg Philharmonic Orchestra, Chamber Orchestra of Lomza), leader of the Orchestra Rossini in Pesaro to Ancona the naming of the concert at Teatro Franco Corelli.
Since 2001, principal conductor of the Symphony Orchestra of the lake, the guidance that has directed more than 100 symphonic concerts and numerous dramatic productions created in collaboration with writers such as Eduardo Rescigno and Elisa Salvaterra. He has made recordings of concerts dedicated to Mercadante, alla prima ripresa in tempi moderni della Danza macabra di Kastner e un DVD sul Requiem di Mozart. Nel settembre 2009 ha inciso per RAI Trade in prima esecuzione assoluta l'opera Il sogno di Galileo di Federico Bonetti Amendola.
Con riferimento ai suoi studi sull'opera italiana, ha collaborato con riviste musicali quali Le petit Figaro dell'Opéra di Liegi e L'ErbaMusica (Laboratorio di Musicologia applicata di Milano). Ha tenuto conferenze sul melodramma italiano e pubblicato due studi nel volume Guide des opéras de Mozart (Fayard-Paris).
Dal 2001 al 2004 è stato “Direttore musicale stabile” delle produzioni del Festival Autunno Musicale a Como, affiancando Italo Gomez nella ideazione e produzione di numerosi musical events and concerts throughout Europe and the Festival of Como. A Como stand out from the openings 2001 (Mahler, Ravel, Debussy) and 2004 with the creation of the Festival Baroque Orchestra (Keiser: Markus Passion, 2002, Handel: The Resurrection, 2003, and the Carmelite Vespers, 2004) and collaborations with artists like Dietrich Wagner, Tatiana Korovin, Katerina Didaskalou, Michele Barchi, Giuliano Sommerhalder, Sonia Bergamasco, Cristina Amedeo Amodio, Alessandro Molin, Monteverdi Choir Budapest and Brno Ars Brunensis
In 2002, he established close collaboration with Cairo Symphony Orchestra, with whom he has performed concerts at the Cairo Opera House and the Festival of Alexandria.
Nel 2004 diventa direttore stabile della stagione d'opera lirica del Teatro delle Erbe di Milano. Nell'ambito di una programmazione di carattere divulgativo e tradizionale, alla guida dell'Orchestra Filarmonica di Milano, dirige in un triennio tutti i principali titoli del repertorio italiano (Madama Butterfly, Bohème, Tosca, Norma, Rigoletto, Traviata, Trovatore. Un Ballo in Maschera, Il Barbiere di Siviglia, L'Elisir d'amore, Così fan tutte, Don Giovanni). Dal 2006 è Direttore Principale della stagione d'opera lirica al Castello Sforzesco prodotta dal Comune di Milano dove dirige Elisir d’amore (2006), Il Trovatore (2007), Tosca e La Traviata (2008), La Bohème (2009), Aida (2010).
E 'regular member of juries for international competitions such as the Composition Competition Oliviero Fusi, The Contest "Tagliavini" of Voghera and the last two editions of the International Singing Competition "Magda Oliveiro" Cusani Palace in Milan.
courses held annually since 1997 in conducting the Philharmonic Orchestra of Craiova Philharmonic Orchestra of Bacau. Professor at the Conservatory of Como, regularly directs opera workshops and seminars in conducting at the Conservatory of Lugano.
E 'Honorary member of the Association of Franco Corelli Ancona.
QUOTE
Euro Entry 100
(after registration deadline January 1, 2011)
Technical course Euro 350 Euro 800
Professional Course
auditors
Euro 160 (no enrollment fee)
ENTRIES
The inscriptions also telephone or fax, will be carried out by 1 January 2011.
Upon registration the fee must be paid by money order to:
NEW SCHOOL OF MUSIC CANTU '
via Pontida 5 - PO Box 12 -
22063 Cantu' (Como)
ccp 54801691
NEW SCHOOL INFORMATION MUSIC OF CANTU '
Telephone & Fax: 031.706418
nuovascuola@tiscali.it
www.scuoladimusica.it
Monday, October 18, 2010
Cellular Respiration In A Mammal
click the iTunes button to download our CD.
It 's the result of over ten years of passionate research, carried out by a group of musicians, each with its wealth of curiosity, songs, notes, scores and other musical instruments.
purpose of the trip is to build a bridge between past and present, proposing melodic and celebrating in a spontaneous and direct a sound universe made up of memories, traditions, atmosphere, colors, contrasts, rhythms, sounds of celebration and nostalgia.
VAGAMONDO is also a group of friends, ritrovatosi necessity, perhaps for fate ... a violin, a viola, a guitar and a bass too cumbersome, close up of a wagon carrying out their fantasies, driven by sparkling musical ideas for a walk around the world.
the reins of the wagon George, Charles and his violin with the guitar. Crammed between
Storage, Lorenzo and Achilles with viola and double bass.
The VAGAMONDO leaves a trail in its wake
... and while the journey continues ...
COMMENTARY TRACKS
Dance Dance
Mantua or Mantua Air is one of those issues that cross For several centuries the history of our music. Cited in the sixteenth century, the air of Mantua, with Roger, the Romanesque, Madness, The Tit and Bergamo, enjoys widespread also to accompany the sacred liturgical texts. Later he had utilized as a tool. The proposed version is derived from the collection of Joseph Giamberti Duo / fabrics with different / solfege minds / pranks, tricksters, obligations et / some motivated by different airs / "(1664)
Ballo di Mantova
The second version of Ballo di Mantova, also known as the Bal Barabén "or" Dance of the Dead "was one of the songs most requested to the late Melchiade Benni, the great violinist popular in his concerts. Documenta's ties to folk music, ancient Hebrew and ancient rituals.
E Bal Francés' one of the "sonata" in the repertoire of dances of the extraordinary Bagolino carnival, musical heritage handed down by oral tradition only.
Francesina
The dance can be considered "cheese" and his figures are similar to those of a polka very hopped in which the dancers, a man and a woman, they embraced.
Furlana
E 'without doubt the largest traditional dance cheese. A dance very lively and excited, certainly resulting from ancient rituals.
Mazeltov
In Hebrew, literally "good luck". The term has also been incorporated in the Yiddish language. The melody, joyful and intense, is used in the register of marriage.
"playing music, accompanied the bride, play music, play our tears"
Freylekh Zain
And 'one of the most popular dances of the Klezmer repertoire. Like the previous song is often performed at weddings.
Chuperlika
Macedonian Dance 7 / 8 With a slow start and gradual acceleration.
Of Mesinke Ojsgegebn
(My youngest daughter is married) Song repertoire of the Yiddish wedding, "Isaac, hey you lazy. Why do not you play your bow? Wake up your musicians. They play or sleep? Break the strings of your instrument, my youngest daughter is married! "
the original version we have joined a fast Freilechs.
Carolan's Concerto or Mrs Power / Carolan's Draught
- Two "tunes" of Turlogh O'Carolans (1670-1738), Irish harpist and composer, blind since the age of 18 years. It was musician Wandering much appreciated, active throughout Ireland and especially Dublin. Its production has more than 200 tunes.
drowse Maggie
, pressing "reel" of the Irish tradition.
Ashokan Farewell a waltz composed by Jay Ungar for the soundtrack of the television series on the American Civil War.
Cripple Creek / Turkey in the Straw / East Tennessee Blues
Three songs that condense styles "old time" or "Appalachian style" and "Bluegrass." Communicative and exuberant music par excellence, in which we can recognize elements of western swing, as the blues and traditional forms of sacred and profane Southern white farmer.
Giorgio Molteni - violin
Ravazzani Lorenzo - Purple
Carlo Ferro - guitars
Achilles Bocuse - bass
17/01/2009 Location Basilica di San Vincenzo in Galliano (Canterbury)
Sound engineer: Fabiano Stefanini
Graphics and Cover: Jordan Ceriani
How To Make A Vhf Uhf Transformer
Mostra - “MATERIALI IN GIOCO: Laboratori creativi per bambini alla scoperta dei materiali”
Progetto culturale che rappresenta un modo nuovo, ottimistico e positivo di vivere l’ambiente, è un progetto dove i materiali di scarto industriale ed artigianale si trasformano in “preziose risorse creative”. Bambini ed adulti alla scoperta delle caratteristiche nascoste dei diversi materiali che compongono quell’infinito numero di piccoli oggetti con cui dare vita a una grande costruzione in una esperienza comune.
La mostra sarà organizzata presso la sede di CLAC in via Borgognone 12 a Cantù.
La mostra rimarrà aperta al pubblico sabato 23 e domenica 24 ottobre dalle ore 10.00 alle ore 12.00 e dalle ore 15.00 alle ore 19.00.
Da lunedì 25 a mercoledì 27 ottobre l'ingresso è riservato alle scuole previa prenotazione.
Per informazioni ed adesioni contattare CLAC ( info@festivaldeldesign.it )
Wednesday, October 13, 2010
Cipralex Causing Anger
Inaugurazione Festival del Design® in Brianza con ... :
Inaugurazione Festival del Design® in Brianza
Presentazione in anteprima del cortometraggio“Il pensiero della mano”
Un film di : Mattia Colombo e Karole di Tommaso
Fotografia : Francesco Ferri
Montaggio : Francesca Balbo
Supervisione : Silvio Soldini
Coordinatore progetto : Bruno Oliviero
Supervisione al montaggio : Carlotta Cristiani
Una produzione : OffiCine - Laboratorio Permanente
Seguirà confronto con gli autori.
La serata proseguirà con un momento conviviale accompagnato da una performance del ballerino di Tango argentino Alejandro Angelica con l’accompagnamento musicale dal vivo del Colectivo Tanguero.
Alejandro Angelica
Alejandro Angelica
Frequentando le milonghe di Buenos Aires inizia cosi uno studio personale che, attraverso l’apporto di diverse discipline della danza e advanced techniques of motion analysis, culminating in the development of a clear and innovative technique that allows you to explore all aspects of the dynamic and expressive tango. Important was the meeting with Grondona Luis "viejo milonguero" dancer and recognized worldwide, it starts to tango "canyengue", existing since the first style of tango milonga which is the result that all other styles of the tango and where they understand the 'marcazione origin of the walk, the embrace, the use of the center of the body and interpretation of music. Using this basis, he developed an innovative method TANGOPURO ®, based on analysis of the movement, communication, the interpretation of the music and the interaction of the couple as an individual entity within the context of "milonga".
holds workshops and dance shows and in numerous international festivals in Europe and Asia. He was part of the company QUAT'ZARTS Paris interpreting the play "A fuego lento" Catherine Berbesou; also created, directed and choreographed several shows that combine the arts with several tango, among which one can cite the Vumba, Androgen , Tango. Currently he is an interpreter of the show "Tanga moon" produced by Teatro Franco Parenti, Milan where he collaborated with choreographer Susanna Beltrami in CREATION show mercy and with Luciana Savignano, an artist of international renown. He founded the company in Italy Colectivo tango and is co-author with Lawrence Ravazzani the show "So furi Tango", the first of its kind to combine pure theatricality in music, dance and drama, beyond the specialty of each individual interpreter .
has participated in numerous TV shows and short films: T02 Dossier for RAI, Costume and Society (TG), Love hne (MW) and the San Remo Festival in 2001 as an artist invited. He speaks fluent English, Italian, French and English
Thursday, September 16, 2010
Best Mixster With Vodka
Ieri volevo provare ad elaborare una serie di foto di M31 da 600 secondi acquisite con la Mz8 che, salvo errori, produce un delta termico di -30°C, senza avere i dark corrispondenti.
Ho cosi' provato ad usare l'apposita funzione "ottimizza dark frame" di Astroart.
Per farlo bisogna pero' preventivamente sottrarre il bias dall'immagine e dal dark di cui si dispone.
Ho notato quanto segue:

Dark

Bias

Thermal frame
!?! But
and 'so' essential to have always taken the dark at the temperature and duration of image acquisition? Lucio
Damn! You
was right!
The huge difference was due to the different stretch of the images.
After subtracting the resulting image is more 'but only until dark' on Astroart, do not click on the bottom bar of the photo. After
becomes so ':

Sunday, September 12, 2010
Fudge Puppy Waffle Dog Baker
For the new moon of September I was taken a week off in the hope of being able to do something.
From the weather initially seemed to be the best time on the weekend of 4-6.
Unfortunately, as often happens the weather more 'correct those were general and not detailed to the desired location.
fact both Saturday and Sunday night I arrived on time in the Air (low), that left me deep in the fog (at least until the time that I decided to give up .. the approximately 22:30-23).
Not to waste time on Monday 'I decided to go home, hoping for an improvement for the following weekend.
Fortunately things have improved and gived 'night I found at Balma with Lucio. Unfortunately
Thursday 'after a couple of hours we were "working" and 'the mist came again, while Friday' time and 'was perfect: crisp and perfectly clear.
Friday 'came Chiara, and Giancarlo, and Saturday I'll be with Salvatore, James, and more' late David.
For my part I had to try the new electronics to drive the telescope, the Gemini Pulsar2 the Hungarian company.
For the moment, being content only to check alignment procedures, goto autoguide, everything seems perfect, with the simplification, compared to previously used DA1, not having to set the keyboard drive from the PC or the relay chamber guide which often forcing me to close the acquisition program because of being forgot to do so.
The group photo will be, as usual, soon be available on my personal site, but here I attach only the astronomical photos.
Following the tests done previously, I used the program for the acquisition of CcdCap MagZero for tracking and Maxim. How
from tests carried out, not 'see any lines on individual poses.

Saturday evening, among other pictures, I tried the Helix nebula.
Sum of 29 exposures of 300 seconds, dark and flat, MagZero Mz8 Fsq85 up.
Tuesday '14 settembre 2010 hours 07:50
I spent the afternoon and evening yesterday trying to process the images taken in last weekend.
I am more and more 'account to be truly prevented capacity as' computing.
Despite two "courses" made by David and Leonard have not been able to learn how to draw pictures for educational purposes!
E 'prorpio true Leo: I have a Ferrari in the ass but the license for the tricycle!
However I was really amazed by what I took out the Atik 314L + attached to C8 f / 6,3 ..... without guidance, without dark, no flat (without add collimation seen the state of the stars), maybe just enough to fire right (thanks to the blessed Bahtinov mask), the Great Nebula of Orion.
I did just for fun only 150 exposures of 10 second in the state described above, then processed with Maxim, with manual alignment sigma clip, followed by only two stretch logarithmic / linear!
Here is what I 'letteralemte turned out despite the severe limitations (ps: among other things did not really understand where they are over ... so if someone was' kind enough to help me .... richettienrico snails tin.it):

And with this more 'stature color:

September 20, 2010

For M45 that I have 11 frames of 300 seconds' the usual Drak, Flat and Bias (again just this last Sunday with l'ausilio di CCdCap) ho tentato una nuova successione degli "eventi" procedendo in questo modo:
Calibrazione e allineamento con Maxim;
Somma e conversione a colori con Astroart;
Stretch logaritimici/lineari con Maxim (2);
Saturazione e salvataggio 8bit con Astroart.
Ps: o e' successo qualcosa di strano in fase di elaborazione oppure ho beccato un Ufo. Lo vedete anche Voi?

Con M31 (di cui ho 12 frame da 300 secondi e 7 da 600 secondi) la cosa non ha funzionato ed ho dovuto procedere in altro modo:
Calibrazione e conversione a colori con Astroart;
Allineamento con Maxim (una gran fatica... il pc non riesce ad allineare tutte le immagini convertite color);
Sum with Astroart;
Stretch logaritimici / linear Maxim (2);
saturation, unsharp mask with 8bit and rescue Astroart.

With M33 I have adopted the same system, adding 15 frames of 300 seconds, but content with a single stretch logarithmic / linear.

And this' for a bit more saturated colors.
Friday, September 3, 2010
Heathrow Express Discount
Telefona al 031.706418 o 335.7041043
dalle 14.30 alle 18.30
dal lunedì al venerdì
o invia una mail a nuovascuola@tiscali.it
indicando il tuo nome, un recapito telefonico e lo strumento musicale di tuo interesse.
Saturday, August 21, 2010
Homemade Sour Cream Powder
Today I did several tests to see if I could find the problem causing photos striped.
Maybe I could find it!
Chronicle of evidence:
1) Both CCD and neighbors are active as owner.
-Entrambi collegati con Maxim5
-I cavi usb sono completamente attorcigliati insieme e ammucchiati
-L'alimentatore e' acceso
-Ci sono alcune spire annodate sul cavo da 6mmq di alimentazione a 12V (c.a. 5) si presentano cioe' con cavi incrociati a X
Risultato:
Si vedono alcune (2 o 3) righe orizzontali sulla mz8
Il FFT sembra evidenziare struttura ripetitiva, ma identica su tutta l'immagine con andamento diagonale dal basso verso l'alto, da sinistra verso destra
2) Stessa situazione ECCETTO:
-Spire aperte
-Atik allontanata a circa 1mt
Risultato:
Non sembrano piu' vedersi le righe orizzontali
Il FFT non sembra diverso dal primo
Confermo che comunque non si vedono righe orizzontali
3) Riprovo riavvicinando i due ccd
-I due ccd sono a non piu' di 5cm l'uno dall'altro
Risultato:
Non sembra di vedere righe orizzontali
Il FFt e' come i precedenti
4) Riprovo incrociando le spire (sul cavo di alimentazione generale a 12V)
-Fatto 7 "incroci"
Risultato:
Peccato! niente righe neanche cosi'!!!!!
Anche il FFT non sembra diverso
5) Riprovo incrociando anche i cavi batteria
-Arrotolati completamente
Risultato:
Nessuna riga!!!!
6) Riprovo come sopra attivado la Atik 314L+ come se autoguidasse ma senza collegare il telescopio
Risultato:
Here! The photo and 'full of lines!!
The FFT does not seem different
7) Retry as "6)" but eliminating the crossings on all the electrical cables
Result: Always
lines that seem even increased compared to "6)" where the wires were all cross
8) Try again as "7)" but the two rooms away about three feet
Score: Photos
always ruled
9) Please try turning off the power supply
Score: Photos
always ruled
10) Try again with power on but WITHOUT autoguide
Score: Photos
again ok!
11) autoguiding Please try changing the USB connector on PC-
Now the two CCD are connected to USB ports on opposite sides of the pc:
Atik Mz8 left and right again on the usual connector
Score:
The photo and 're-striped!
12) I try as above but changing acquisition program ripetto than driving
Astroart acquisition
= Maxim = autoguide
Score:
The picture does not appear to present lines again!?!
Whether it's a compatibility problem 'of the rooms on the same program (MaximDL)? There
'but' the problem that Maxim seems to go in slow motion since the Mz8 and 'connected to Astroart!
13) I feel more self-guided with Maxim (and 'the only one that supports more than Astroart Atik 314L +) and acquiring con il programma nativo della Mz8 (CCDCap)
Risultato:
La foto anche qui sembra ok!!!!!!
Forse non devo solo usare lo stesso programma (Maxim) per guidare e catturare immagini!!
14) Riprovo a fare una foto con Maxim ed autoguidando con Maxim
Purtroppo si e' inchiodato maxim e ho dovuto riavviare il pc.
Spero non infici le prove fatte!
Risultato:
In effetti si sono ripresentate le solite righe
15) Riprovo usando Astroart sia per ripresa che per autoguida
Con astroart bisogna pero' usare due sessioni diverse per giudare e fotografare
Risultato:
La foto risulta priva di righe orizzontali!
CONCLUDO CHE MZ8 E ATIK SONO INCOMPATIBILI IF USED BOTH WITH MAXIM DL.
Tuesday, August 10, 2010
What If My Dog Is Pooping Blood
Having seen the weather forecast for mid-August we were not very good I tried this out for two days over the usual refuge Prato Nevoso.
As mentioned in the previous post I had prepared the equipment planning to improve the situation:
Berlebach tripod-New Planet;
-separation of all the data cables and power supply.
Unfortunately the desired results have not been seen!
autoguiding continue to occur according to the usual photo "Arrigoni"!
At this point I still have a lot of variation with ':
"I have already' tried to feed a 12V or 220V - no change;
I-shortened 12V cable that comes from food to diramamzione "star" that I got - no results, but I did not think of seeing as even feeding all the individual transformers with a 220V to 12V did not change anything, I tried to separate
- all the cables (2 usb cables and power supply unit, which were joined together in a single coil) - no result.
The next time I can still try:
-redirect Mz8 turning so as to guide the connectors in the opposite direction to the guide camera;
-Increase the separation between the two telescopes using a double bar over 'long;
- Replace the electronic control of the mount (MicroGiga DA1) with another (I can take? FS2? Gemini? ? )
Hand-Drive?! : (-The problem seems to occur only with the guider running!
HELP!
29/8/2010
Add a couple of photos as it is now the telscopio.
The new stand looks more effectively 'stable of the old post, although I regret the system of leveling a leveling screws, which did not require removing the tripod from the ground when you stretch your legs change the footprint.
sinful it was unable to find the best legs column!
To continue using the C8 for autoguide I added a gear F / 6.3 that already 'had.
In this way, using 2x2 binning, and the situation 'similar to when I used the David Mak has a focal length of 1500mm compared with about 1200 of C8 in this configuration.


Saturday, July 24, 2010
Desnudo Aaron Diaz Aaron Diaz Desnudo??
again this year and 'The time has come the summer camp of the Amateur Astronomers Group William Herschel.
On my site I have included a series of photographs taken in those days, but what about the record, refer to the excellent sites of other members, but here I write about topics more 'purely technical.
From the point of view of astronomical photographic production have not been very fortunate in that electrical problems have haunted me all the time, but having the good fortune to remain for several days with friends much more 'experts (including Leonardo, Lucius and I'll be), I was able to take advantage of their knowledge to understand my problems and try to overcome them for the future .
As for the power supply of the equipment I had prepared a system with a regulated power supply with battery backup.
I was able to verify that the system works well, because some falls at the mains at 220V telescope and CCD continut have to operate without blocking issues.
Unfortunately, the 12V cable (6 sq.) that I had prepared seems to be too long and cause interference that rovinano le fotografie.
Dovro' provare ad accorciarlo ed inserire delle ferriti, nonche' provare ad attorcigliare i due fili.

La montatura, che non inseguiva bene, con errori piuttosto consistenti, superiori ai 5 pixel, con picchi saltuari decisamente superiori, grazie agli insegnamenti ricevuti si e' stabilizzata su un buon massimo di un pixel ed una media decisamente migliore.
Stupidamente pensavo che inseguendo con il C8 a F/10 avrei dovuto avere degli errori di guida che fotografando a 450 mm di focale avrebbero prodotto delle foto perfette.
Ho invece imparato che, almeno con la montatura G11 di cui dispongo, e' meglio inseguire con focali decisamente inferiorio al metro.
Another mistake that I did was set an integration time of the room being driven too high.
From what I heard from other friends, and read on the manuals and the Internet, the integration time was meant to avoid seeing the chase, so he should be around 3 seconds. Instead
using as guides the telescope Maksutov Skywatcher 5 "borrowed from David, and setting the camera driving at 0.5 seconds in 2x2 binning, tracking errors are now the ones mentioned above.
but I am afraid 'that part of the interference problems recorded is due to its maggor "speed" action of the frame.
I think, also for the fact that I had put together in a single beam and USB cables room than those of motor control, this higher speed 'Frame of action has resulted in underexposed.

more ....
the end I still tried to salvage the pictures made and these are the results, taking into account the lessons drawn by Leonardo (at least to what I still remember)!
All photos are made with MagZero Mz8 Fsq85 and Takahashi, processing and MaximDL Astroart.

Shii 91
not apparent some nebulosity '.
E 'likely to be a very Evanescene object and do at least H-alpha filter, although it is indicated in the catalog with luminosity '2.
sum of 5 exposures of 300s, flat and dark.

Retainer 54 would be a beautiful object, but with the problems brought by electrical interference and only 2 exposures of 300s, with flat and dark, and the result 'and that'!

Ngc 7000 In this photo of Pelican and North America seem to not be noticed electrical interference.
Sum of 4 poses 300s, flat and dark.


M16
Sum of 13 exposures of 300s, flat and dark.
Two different calculations, in the second I think you put more 'prominence in the haze' around.

M4, Ngc6144 ed un accenno di SHii9, intorno alla stella luminosa in alto, naturalmente il tutto condito dalle solite interferenze elettriche.
Somma di 7 pose da 180s, flat e dark.

ShII 108 intorno a Sadr (Gam Cyg), visibili anche Ngc6910 e Cr419 (in alto).
Somma di 6 pose da 600s, flat e dark.

Ancora M4 e Ngc6144, ma tentando di riprendere in particolare SHii9, che qui risulta leggermente piu' evidente.
Somma di 4 pose da 300s, flat e dark.