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Opening Festival of Design ® in Brianza

Inaugurazione Festival del Design® in Brianza con ... :

Inaugurazione Festival del Design® in Brianza

Presentazione in anteprima del cortometraggio
“Il pensiero della mano”

Un film di : Mattia Colombo e Karole di Tommaso
Fotografia : Francesco Ferri
Montaggio : Francesca Balbo
Supervisione : Silvio Soldini
Coordinatore progetto : Bruno Oliviero
Supervisione al montaggio : Carlotta Cristiani
Una produzione : OffiCine - Laboratorio Permanente

Seguirà confronto con gli autori.

La serata proseguirà con un momento conviviale accompagnato da una performance del ballerino di Tango argentino Alejandro Angelica con l’accompagnamento musicale dal vivo del Colectivo Tanguero.

Alejandro Angelica

Alejandro Angelica

Danzatore, ricercatore ed artista polivalente argentino. Si avvicina al tango formando parte del “Ballet Municipal de Tango de Zarate”, parallelamente si dedica allo studio della danza classica, contemporanea, contact improvisation e recitazione. Dal balletto si distacca per dedicarsi all’aspetto più profondo del tango, l’improvvisazione.

Frequentando le milonghe di Buenos Aires inizia cosi uno studio personale che, attraverso l’apporto di diverse discipline della danza e advanced techniques of motion analysis, culminating in the development of a clear and innovative technique that allows you to explore all aspects of the dynamic and expressive tango. Important was the meeting with Grondona Luis "viejo milonguero" dancer and recognized worldwide, it starts to tango "canyengue", existing since the first style of tango milonga which is the result that all other styles of the tango and where they understand the 'marcazione origin of the walk, the embrace, the use of the center of the body and interpretation of music. Using this basis, he developed an innovative method TANGOPURO ®, based on analysis of the movement, communication, the interpretation of the music and the interaction of the couple as an individual entity within the context of "milonga".

holds workshops and dance shows and in numerous international festivals in Europe and Asia. He was part of the company QUAT'ZARTS Paris interpreting the play "A fuego lento" Catherine Berbesou; also created, directed and choreographed several shows that combine the arts with several tango, among which one can cite the Vumba, Androgen , Tango. Currently he is an interpreter of the show "Tanga moon" produced by Teatro Franco Parenti, Milan where he collaborated with choreographer Susanna Beltrami in CREATION show mercy and with Luciana Savignano, an artist of international renown. He founded the company in Italy Colectivo tango and is co-author with Lawrence Ravazzani the show "So furi Tango", the first of its kind to combine pure theatricality in music, dance and drama, beyond the specialty of each individual interpreter .

has participated in numerous TV shows and short films: T02 Dossier for RAI, Costume and Society (TG), Love hne (MW) and the San Remo Festival in 2001 as an artist invited. He speaks fluent English, Italian, French and English

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Mz8: dark, bias, and frame thermal

Ieri volevo provare ad elaborare una serie di foto di M31 da 600 secondi acquisite con la Mz8 che, salvo errori, produce un delta termico di -30°C, senza avere i dark corrispondenti.

Ho cosi' provato ad usare l'apposita funzione "ottimizza dark frame" di Astroart.
Per farlo bisogna pero' preventivamente sottrarre il bias dall'immagine e dal dark di cui si dispone.

Ho notato quanto segue:


Dark


Bias


Thermal frame

!?! But

and 'so' essential to have always taken the dark at the temperature and duration of image acquisition? Lucio

Damn! You
was right!
The huge difference was due to the different stretch of the images.
After subtracting the resulting image is more 'but only until dark' on Astroart, do not click on the bottom bar of the photo. After
becomes so ':

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New Moon - September 2010 - 4-12/9/2010

For the new moon of September I was taken a week off in the hope of being able to do something.

From the weather initially seemed to be the best time on the weekend of 4-6.
Unfortunately, as often happens the weather more 'correct those were general and not detailed to the desired location.
fact both Saturday and Sunday night I arrived on time in the Air (low), that left me deep in the fog (at least until the time that I decided to give up .. the approximately 22:30-23).

Not to waste time on Monday 'I decided to go home, hoping for an improvement for the following weekend.

Fortunately things have improved and gived 'night I found at Balma with Lucio. Unfortunately

Thursday 'after a couple of hours we were "working" and 'the mist came again, while Friday' time and 'was perfect: crisp and perfectly clear.

Friday 'came Chiara, and Giancarlo, and Saturday I'll be with Salvatore, James, and more' late David.

For my part I had to try the new electronics to drive the telescope, the Gemini Pulsar2 the Hungarian company.

For the moment, being content only to check alignment procedures, goto autoguide, everything seems perfect, with the simplification, compared to previously used DA1, not having to set the keyboard drive from the PC or the relay chamber guide which often forcing me to close the acquisition program because of being forgot to do so.

The group photo will be, as usual, soon be available on my personal site, but here I attach only the astronomical photos.

Following the tests done previously, I used the program for the acquisition of CcdCap MagZero for tracking and Maxim. How
from tests carried out, not 'see any lines on individual poses.



Saturday evening, among other pictures, I tried the Helix nebula.
Sum of 29 exposures of 300 seconds, dark and flat, MagZero Mz8 Fsq85 up.


Tuesday '14 settembre 2010 hours 07:50

I spent the afternoon and evening yesterday trying to process the images taken in last weekend.
I am more and more 'account to be truly prevented capacity as' computing.
Despite two "courses" made by David and Leonard have not been able to learn how to draw pictures for educational purposes!
E 'prorpio true Leo: I have a Ferrari in the ass but the license for the tricycle!

However I was really amazed by what I took out the Atik 314L + attached to C8 f / 6,3 ..... without guidance, without dark, no flat (without add collimation seen the state of the stars), maybe just enough to fire right (thanks to the blessed Bahtinov mask), the Great Nebula of Orion.

I did just for fun only 150 exposures of 10 second in the state described above, then processed with Maxim, with manual alignment sigma clip, followed by only two stretch logarithmic / linear!

Here is what I 'letteralemte turned out despite the severe limitations (ps: among other things did not really understand where they are over ... so if someone was' kind enough to help me .... richettienrico snails tin.it):



And with this more 'stature color:




September 20, 2010



For M45 that I have 11 frames of 300 seconds' the usual Drak, Flat and Bias (again just this last Sunday with l'ausilio di CCdCap) ho tentato una nuova successione degli "eventi" procedendo in questo modo:
Calibrazione e allineamento con Maxim;
Somma e conversione a colori con Astroart;
Stretch logaritimici/lineari con Maxim (2);
Saturazione e salvataggio 8bit con Astroart.
Ps: o e' successo qualcosa di strano in fase di elaborazione oppure ho beccato un Ufo. Lo vedete anche Voi?



Con M31 (di cui ho 12 frame da 300 secondi e 7 da 600 secondi) la cosa non ha funzionato ed ho dovuto procedere in altro modo:
Calibrazione e conversione a colori con Astroart;
Allineamento con Maxim (una gran fatica... il pc non riesce ad allineare tutte le immagini convertite color);
Sum with Astroart;
Stretch logaritimici / linear Maxim (2);
saturation, unsharp mask with 8bit and rescue Astroart.


With M33 I have adopted the same system, adding 15 frames of 300 seconds, but content with a single stretch logarithmic / linear.


And this' for a bit more saturated colors.

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